In 2008, Universal Audio released the 1176 AE (Anniversary Edition) which revisits the program-dependent release of the Rev A “Blue Stripe” and sported black faceplates with blue anodized overlay as a tribute. D “UREI” added to faceplate and a reworking of the main circuit board to include the LN circuits which were encased in epoxy.The following three years brought revisions D and E and are considered the most sought-after models. This revision lowers the noise floor by 6 dB while shifting the noise frequency away from the “sensitive 500hz to 3khz range.” Revision A/B and B were released shortly after, but it was Brad Plunkett’s 1970 revision C that most now recognize, with its new black faceplate and its “LN” designation. resurrected Universal Audio in 1999 his first release was a hardware version of the 1176 utilizing the original INPUT AND output transformer design! The amps and transformers at input and output gave the unit a characteristic sound which quickly caught on and is still sought after today. Feed-Forward Compression: The Differences You Need to Know - SonicScoop) it is capable of extremely fast attack times (20 microseconds ). The Rev A also featured a sleeker look with smaller knobs and more of them: TIP: By shutting off the attack, the unit actually functions as a line amp with 45 dB of gain!Īlthough the 1176 Rev A is a feedback-style compressor (read up here Feedback Vs. It featured a silver faceplate with a blue stripe, which is a marked difference from the black plated model we think of. In 19 Rev A was introduced to the market. In 1966 Bill Putnam’s Universal Audio featured tube compressor models 175 and 176, but in the lab plans to build a solid state compressor utilizing a circuitry based around a FET (Field Emitting Transistor) in the sensor circuitry of the unit were moving along. How do the various UAD 1176 compressor models perform against each other? An 1176 Timeline
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